Red Giant Year End Sale

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On Tuesday, December 5th, everything at Red Giant will be 40% off! But that is literally not all. Between now and then, you can enter for a chance to win everything Red Giant makes, for free! Here's how.

Prolost Store Sale, and Using Presets with Lightroom CC

          <img class="thumb-image" alt="CCpresets_01.gif" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5a13380024a69443e3f51b30/1511208982560/CCpresets_01.gif" data-image-dimensions="605x325" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5a13380024a69443e3f51b30" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5a13380024a69443e3f51b30/1511208982560/CCpresets_01.gif?format=1000w" />
I don't like sales over the US Thanksgiving holiday. This Friday I normatively hope you enjoy a retail-free day with your family. But today through Wednesday, you can get 30% off everything at the Prolost Store using the coupon code OHBOY2017. 2017 has been a hell of a year. You deserve some Lightroom presets, or some cool After Effects add-ons. Is all I'm going to say about that. And by the way, my presets for Lightroom Classic work just fine in Lightroom CC too! Here's how to install them. The experience of using presets in Lightroom CC is pretty Continue reading "Prolost Store Sale, and Using Presets with Lightroom CC"

Migrating from Lightroom Classic to Lightroom CC, and the Controversy Over Using Them Together: An Exclusive Adobe Q&A

          <img class="thumb-image" alt="Stu and Ben in April, 2002. I took a picture of us with my Nikon Coolpix 995 as he took one with his Yashica T4. He wins for coolest camera. I win for being able to find the photo 15 years later." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5a04e81753450aa7b95d8ba9/1510271000760/020406-DSCN4877-.jpg" data-image-dimensions="2048x1536" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5a04e81753450aa7b95d8ba9" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5a04e81753450aa7b95d8ba9/1510271000760/020406-DSCN4877-.jpg?format=1000w" />





        Stu and Ben in April, 2002. I took a picture of us with my Nikon Coolpix 995 as he took one with his Yashica T4. He wins for coolest camera. I win for being able to find the photo 15 years later.

Or, More Accurately, a Transcription of a Therapy Session for Someone Who Wants the New Thing, but Really Would Be Better Off With the Old Thing

In my last Lightroom post, I mentioned that my friend Benjamin Warde is a product manager on the Lightroom team. I’ve known Ben since we were kids, and we’ve long had
This photo uses Color Range Masking, something you can do in Lightroom Classic, but not in Lightroom CC.
Here's Lightroom CC set up as Benjamin describes. Originals are stored as needed on my external drive unironically called "Everything 02," but won't be kept there for longer than Lightroom CC needs them for caching purposes.
This photo uses the tone curve in Lightroom Classic, not found in Lightroom CC desktop.
This photo uses Split Toning. You guessed it, not available in Lightroom CC desktop.
Continue reading "Migrating from Lightroom Classic to Lightroom CC, and the Controversy Over Using Them Together: An Exclusive Adobe Q&A"

Universe 2.2 and a New Red Giant Film

Red Giant has released Universe 2.2. Universe is our ever-growing collection of editorial effects and transitions, where you’ll find such favorites as VHS and Retrograde. As is often the case, there’s a Red Giant film to go along with this release, and this time it marks the directorial debut of our own Aharon Rabinowitz. He made a film that is so uniquely him that, well, you should just watch it: And the making of, where I get a little shout-out for helping figure out hoe to recreate the retro optical-printer VFX: And now, feel free to learn more about Continue reading "Universe 2.2 and a New Red Giant Film"

Slugline on iPhone and iPad

          <img class="thumb-image" alt="web2Assets_03_table-sq_0002.jpg" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5a02453d9140b7dd7eb5f911/1510098241436/web2Assets_03_table-sq_0002.jpg" data-image-dimensions="1500x1500" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5a02453d9140b7dd7eb5f911" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5a02453d9140b7dd7eb5f911/1510098241436/web2Assets_03_table-sq_0002.jpg?format=1000w" />
From the Slugline blog:
Today is a big day. Ever since we released Slugline, the most frequent request we’ve had was to get Slugline on iOS. It took a long time, because we wanted to do it right. We realized that we needed to re-write scrolling, so it would be fast and smooth. We knew we had to speed up pagination. We wanted to support fancy new iOS 11 things like split-screen and drag-and-drop. We did all those things. And now Slugline for iOS is available in the App Store for $19.99.
One thing I’ve found interesting as Continue reading "Slugline on iPhone and iPad"

What’s Going on with Lightroom?

          <img class="thumb-image" alt="This is Lightroom CC." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/59f0b1541f318d401564ebe3/1508946347633/Screenshot+2017-10-25+08.41.05.png" data-image-dimensions="2500x1563" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="59f0b1541f318d401564ebe3" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/59f0b1541f318d401564ebe3/1508946347633/Screenshot+2017-10-25+08.41.05.png?format=1000w" />





        This is Lightroom CC.
Last week at Adobe Max, some big changes were announced for the Lightroom family of products. The Lightroom that we know and love has been rebranded to Lightroom Classic, and the unmodified “Lightroom CC” name has been applied to an all-new app that joins the mobile and web versions of Lightroom in a cloud-based online storage model. Despite previous indications to the contrary, these releases also mark the end of Lightroom being sold outside of the Creative Cloud subscription model.

Real Quick on the Names

The name change is confusing. Lightroom Product Manager (and
 A photo from Bevagna, Italy, with some nice warm and cool tones that I wanted to emphasize.
 The Color Range Mask I used to isolate and cool off the blue shadows in the image, using a local Color Temperature adjustment.
Grid View
Another Grid
Edit
AI Search
When originals get uploaded to Adobe's Creative Cloud from Lightroom CC, this pref tells Lightroom Classic where to download them to. So when I shoot a DNG with my iPhone, it automatically downloads to my local storage at work, as long as Lightroom Classic is running.
Continue reading "What’s Going on with Lightroom?"

Trapcode Suite 14

        <a href="https://prolost.com/rg-trapcode" >


          <img class="thumb-image" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5980bebd4402430ad86fa07f/1501609692107/" data-image-dimensions="1920x1080" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5980bebd4402430ad86fa07f" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5980bebd4402430ad86fa07f/1501609692107/?format=1000w" />


        </a>
Huge update to Trapcode Suite today. Get all the details here, but here are some of my favorite new things:

Trapcode Suite 14

        <a href="https://prolost.com/rg-trapcode" >


          <img class="thumb-image" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5980bebd4402430ad86fa07f/1501609692107/" data-image-dimensions="1920x1080" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5980bebd4402430ad86fa07f" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5980bebd4402430ad86fa07f/1501609692107/?format=1000w" />


        </a>
Huge update to Trapcode Suite today. Get all the details here, but here are some of my favorite new things:

Trapcode Suite 14

        <a href="https://prolost.com/rg-trapcode" >


          <img class="thumb-image" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5980bebd4402430ad86fa07f/1501609692107/" data-image-dimensions="1920x1080" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5980bebd4402430ad86fa07f" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5980bebd4402430ad86fa07f/1501609692107/?format=1000w" />


        </a>
Huge update to Trapcode Suite today. Get all the details here, but here are some of my favorite new things:

On HDR Displays and Grading

Today, Samsung and Amazon announced yet another HDR standard for televisions. In case you're not familiar with the idea of a High Dynamic Range display, it's—get this—brighter than a normal display. That's it. This groundbreaking idea apparently needed about four competing standards, one from Dolby, the sound company. Now there's a fifth. I coudn't resist chiming in on Twitter.

Lightroom Mobile 2.7, Now With HDR

          <img class="thumb-image" alt="This is a photograph made with a telephone." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/58bdac74bebafb465e9f7458/1488825653872/This+is+a+photograph+made+with+a+telephone." data-image-dimensions="1500x1038" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="58bdac74bebafb465e9f7458" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/58bdac74bebafb465e9f7458/1488825653872/This+is+a+photograph+made+with+a+telephone.?format=1000w" />





        This is a photograph made with a telephone.
If you look back through my recent Instagram posts, you may notice something unusual (for me): the majority of photos I’ve posted lately are not from my big, full-frame cameras (currently: 5D Mark III, Sony a7S II, and Sony RX1R II), but rather from my iPhone 7 Plus. Posting iPhone photos to Instagram is hardly unusual, but what’s new is that I’m once again inspired by the creative possibilities of my little telephone camera. Part of this inspiration comes from the ability to shoot raw with Lightroom Mobile.
An iPhone snapshot in HDR, helped greatly by Lightroom's desktop-only Guided Upright perspective correction feature.
Shooting directly into a shaded garage and, you know, the Earth's sun.
The majority of the tone mapping of an HDR shot comes from the Highlights and Shadows sliders, which default to aggressive settings that you may wish to tone down.
HDR in B&W. Guided Upright again, along with one of my Prolost Vintage Winter 2016 B&W presets.
Continue reading "Lightroom Mobile 2.7, Now With HDR"

Prolost Vintage Winter 2016: 112 Black and White Presets for Lightroom

          <img class="thumb-image" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/58538755e6f2e1c36a1c6b40/1481869150136/" data-image-dimensions="1500x1500" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="58538755e6f2e1c36a1c6b40" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/58538755e6f2e1c36a1c6b40/1481869150136/?format=1000w" />
My new set of seasonal presets are out, and these ones are all about black and white. If you've been following me on Instagram, you've probably noticed my preoccupation with monochrome. The first photos I ever shot and processed myself were black and white (film, of course), and in many ways I find it to be the purest form of photography. There's only one problem:

Black and White is Hard

          <img class="thumb-image" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/585413abe3df28f58aa7909f/1481905093024/" data-image-dimensions="402x738" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="585413abe3df28f58aa7909f" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/585413abe3df28f58aa7909f/1481905093024/?format=1000w" />
Many pro photographers I know consider black and white processing to be one of the hardest aspects of photography to master. There are so many different ways to get there, we almost always feel like we're doing it wrong. This is where my "I'll know it when I see it" preset methodology comes to the rescue. When you run your mouse down this list of 112 presets, one of them will just feel right. When that happens, just Continue reading "Prolost Vintage Winter 2016: 112 Black and White Presets for Lightroom"

Red Giant Year End Sale

        <a href="https://prolost.com/rg-bullet" >


          <img class="thumb-image" data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5846f0ba9f7456736879e229/1481044175156/" data-image-dimensions="800x515" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="5846f0ba9f7456736879e229" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/5846f0ba9f7456736879e229/1481044175156/?format=1000w" />


        </a>
Today only, everything at Red Giant is 40% off.

A Color Session with Stu, and a Huge Sale Tomorrow

This is something different than my usual tutorials. Instead of demonstrating the features of the new Magic Bullet Suite 13, I simply sat down and graded a short sequence of shots. The result is a fast-moving unrehearsed color session in which you see me explore and experiment, using the new Colorista IV panel in Adobe Premiere Pro. For more Magic Bullet Suite tutorials, check out my announcement post and a whole post just about tutorials. And if you're inspired to buy Magic Bullet or anything else from Red Giant (like Trapcode or PluralEyes), there's no better day than tomorrow. For one day only, everything at Red Giant will be 40% off in our Year End Sale. But don't take my word for it, check out this awesome video:

Magic Bullet Suite 13 Tutorials

There's so much new in Magic Bullet Suite 13 that I made like a zillion tutorials. The essential walkthroughs are all in my announcement post. These tutorials get a little more specific.

Guided Color Correction in Magic Bullet Colorista IV

There's no better example of Red Giant's commitment to make great color accessible to all video editors than the new Guided Color Correction feature in Colorista IV. The tool walks you through a step-by-step process of balancing out a shot. You get great results easily, and you stay in control the whole time.

My Color Grading Pipeline

Reduce noise and compression artifacts first. Then basic color balancing, followed by creative color grading. Then, as a final step, re-introduce grain or texture as desired. That's my pipeline on almost every shot I color correct, and this walks you through the process, using Magic Bullet Denoiser III, Colorista IV, and Continue reading "Magic Bullet Suite 13 Tutorials"

Magic Bullet Suite 13

Red Giant has just released Magic Bullet Suite 13, a massive update to our color correction and look creation tools. This is such an epic update that I barely know where to start.

Colorista IV

Colorista IV is my new favorite creative tool. It now runs as a panel inside Adobe Premiere Pro and After Effects, which means that you can use it as your go-to color tool without ever having to manually apply it to your clips. Just start working with the panel and Colorista is there. Colorista IV features new Temperature and Tint controls, as well as LUT support, log processing, an updated keyer, and a new Point Curve that works seamlessly with the familiar Colorista parameterized curve. There’s also Guided Color Correction, a Continue reading "Magic Bullet Suite 13"

iPhone 7 Plus Depth Effect is Legit

        <img class="thumb-image" alt="Three cameras that can make photos with blurry backgrounds." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ec5b2146c3c4bb29648c81/1475107625420/" data-image-dimensions="1500x1123" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="57ec5b2146c3c4bb29648c81" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ec5b2146c3c4bb29648c81/1475107625420/?format=1000w" />





      Three cameras that can make photos with blurry backgrounds.
The star feature of the iPhone 7 Plus is its dual-camera system. The typical 28mm-equivalent iPhone camera is joined by a 56mm-equivalent. This allows for a 2x optical zoom at the touch of a virtual button, but, more interestingly, it also opens the door to some interesting computational photography.
        <img class="thumb-image" alt="56mm equivalent is not &quot;telephoto&quot; Apple." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ecb2c837c5810dbdd99c81/1475130074147/" data-image-dimensions="1770x1148" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="57ecb2c837c5810dbdd99c81" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ecb2c837c5810dbdd99c81/1475130074147/?format=1000w" />





      <p>56mm equivalent is not "telephoto" Apple.
Two cameras don't really make for a light field camera, where a computer model is built of the captured light rays, allowing them to be projected onto a virtual image capture plane, through a synthetic aperture.
160923-IMG_9348-.jpg
160923-IMG_9349--2.jpg
160927-IMG_9495-.jpg
160927-IMG_9494-.jpg
Original Image
Gaussian kernel, gaussian blur
Focus blur kernel, focus blur
Focus blur in gamma space
Focus blur, in linear space
Focus blur, in linear space with HDR source
Sharp BG from a Portrait mode shot
Blurred BG from a Portrait mode shot, Depth Effect version
Sharp BG with lens blur in gamma space
Sharp BG with lens blur in linear space
Gaussian blur in gamma space
Gaussian blur in linear space
Real boke from the iPhone's built-in camera
Focus blur in linear space, with artificial HDR highlights
Canon 5D Mark II, Canon 50mm F1.4 at ƒ/1.4. Because why should anything be in focus, really.
Canon 5D Mark III, Canon 50mm F1.2L at ƒ/1.8. And manual focus, if I don't say so myself.
A photo of a man punching himself in the face at a bar
A photo of the mother of a kid who loves oysters
Continue reading "iPhone 7 Plus Depth Effect is Legit"

iPhone 7 Plus Depth Effect is Legit

                <img class="thumb-image" alt="Three cameras that can make photos with blurry backgrounds." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ec5b2146c3c4bb29648c81/1475107625420/" data-image-dimensions="1500x1123" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="57ec5b2146c3c4bb29648c81" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ec5b2146c3c4bb29648c81/1475107625420/?format=1000w" />





            Three cameras that can make photos with blurry backgrounds.
The star feature of the iPhone 7 Plus is its dual-camera system. The typical 28mm-equivalent iPhone camera is joined by a 56m-equivalent. This allows for a 2x optical zoom at the touch of a virtual button, but, more interestingly, it also opens the door to some interesting computational photography.
                <img class="thumb-image" alt="56mm equivalent is not &quot;telephoto&quot; Apple." data-image="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ecb2c837c5810dbdd99c81/1475130074147/" data-image-dimensions="1770x1148" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="57ecb2c837c5810dbdd99c81" data-type="image" src="https://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57ecb2c837c5810dbdd99c81/1475130074147/?format=1000w" />





            56mm equivalent is not "telephoto" Apple.
Two cameras don't really make for a light field camera, where a computer model is built of the captured light rays, allowing them to be projected onto a virtual image capture plane, through a synthetic aperture. That's what Lytro is doing with their plenoptic Cinema Camera (see previous post), and more analogously, what Light is promising with the 16-lensed L16 camera (two posts on that one so far).

Computational Photography is Here (and Has Been for a While actually)

I'm pretty sure that with
160923-IMG_9348-.jpg
160923-IMG_9349--2.jpg
160927-IMG_9495-.jpg
160927-IMG_9494-.jpg
Original Image
Gaussian kernel, gaussian blur
Focus blur kernel, focus blur
Focus blur kernel, focus blur in gamma space
Focus blur kernel, focus blur, in linear space
Focus blur kernel, focus blur, in linear space with HDR source
Sharp BG from a Portrait mode shot
Blurred BG from a Portrait mode shot, Depth Effect version
Sharp BG with lens blur in gamma space
Sharp BG with lens blur in linear space
Gaussian blur in gamma space
Gaussian blur in linear space
Real boke from the iPhone's built-in camera
Focus blur in linear space, with artificial HDR highlights
Canon 5D Mark II, Canon 50mm F1.4 at ƒ/1.4. Because why should anything be in focus, really.
Canon 5D Mark III, Canon 50mm F1.2L at ƒ/1.8. And manual focus, if I don't say so myself.
A photo of a man punching himself in the face at a bar
A photo of the mother of a kid who loves oysters
Continue reading "iPhone 7 Plus Depth Effect is Legit"

Canon 5D Mark IV

            <a href="http://www.amazon.com/dp/B01KURGS9E/?tag=prolost-20" >


                <img class="thumb-image" data-image="http://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57bf4a87f7e0abe0fdc85433/1472154252244/" data-image-dimensions="1141x905" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="57bf4a87f7e0abe0fdc85433" data-type="image" src="http://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57bf4a87f7e0abe0fdc85433/1472154252244/?format=1000w" />


            </a>

The First 5D I’m Not Buying

Canon has announced the latest DSLR in the seminal 5D line, the 5D Mark IV. It features a 30.4 megapixel sensor for stills, a touchscreen, and 4k video. It’s available for preorder on Amazon and B&H for shipment on September 8. And I won’t be buying one.

1.74x Crop Factor for 4k Video

As has been well covered by Dan Chung at Newshooter, the only way to shoot 4k video with the 5D Mark IV is using a 1:1 center crop of the 30.4 megapixel sensor, which results in a 1.74x crop factor. That means that, when shooting 4k video, your 50mm lens gets an equivalent focal length of 87mm. Compare this to the Sony a7S II, which can shoot 4k using a full sensor readout of its full-frame, 12.2 megapixel sensor. The Sony also has 4:2:2
Continue reading "Canon 5D Mark IV"

The Binding: DV Rebel Filmmaking goes 5k, Post Workflows for RED Raw, and How to Bang Your Head Against a Wall (Literally)

                <img class="thumb-image" data-image="http://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57abcb7f6a4963c59354fb7c/1470876558157/" data-image-dimensions="1382x2048" data-image-focal-point="0.5,0.5" data-load="false" data-image-id="57abcb7f6a4963c59354fb7c" data-type="image" src="http://static1.squarespace.com/static/53f4e093e4b085e4457080e1/t/57abcb7f6a4963c59354fb7c/1470876558157/?format=1000w" />
The Binding is a new feature film from writer/director Gus Krieger that was recently released on Blu-ray, and iTunes. It’s a scary and thought-provoking film that also happens to be a great example of DV Rebel feature filmmaking. I helped my buddy Gus out with the Visual Effects and color grading.

From Web Videos to 5k Feature

Gus is an accomplished writer, producer, director, playwright, and probably astronaut (unconfirmed), and has a wonderful group of collaborators with whom he’s made various web videos and short films. I highlighted one of these, a horror short called M is for Marmalade, in a previous post. Gus and company refined their tools and techniques with each video project, and eventually cinematographer Jeff Moriarty traded up his Canon 7D rig for a RED Epic, just in time for The Binding. The result is a film that looks and feels every bit a high-end
Camera Defauts
For Export
Color Grading under a LUT
Click to see the whole mess.
Premiere's excellent Effects Masks working in conjunction with the Colorista keyer to boost exposure in the doorway.
Continue reading "The Binding: DV Rebel Filmmaking goes 5k, Post Workflows for RED Raw, and How to Bang Your Head Against a Wall (Literally)"