5 Tips for Making Models More Likely to Reply to TFP Requests

Getting started in photography is expensive. Sometimes frustratingly so. This expense tends to compound a bit if one has to pay professional models to build a portfolio. Fortunately, you don’t. Models also need to build a portfolio, so collaborating with photographers to create images becomes extremely valuable. TFP (time for print, or time for portfolio) has becomes a keystone of the beauty/fashion/glamor world. [ Read More ]

I Don’t Do Weddings: Wedding Photography Through a Commercial Photographer’s Lens

©andrewdoran_com-441p-DSC_8346 There was a time when I guess you could have called me a wedding photographer. Although at that point you could have really called me an ‘anything’ photographer. It was early in my career. At that point in time I would have photographed a cat eating belly button lint if someone had paid me to do so. As it turned out, being a wedding photographer didn’t really pop my strobe. I’m more of a problem solving photographer. Planning a shot in advance, scouting, and making it a reality when conditions are right is the kind of creativity I really enjoy investing in my photo shoots. When I do an architectural shoot I’ll often walk around the building for hours exploring angles and finding the perfect way to fit the structure into the surroundings. On an adventure shoot it’s always about scouting the location and figuring out the perfect time of
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I Don’t Do Weddings: Wedding Photography Through a Commercial Photographer’s Lens

©andrewdoran_com-441p-DSC_8346 There was a time when I guess you could have called me a wedding photographer. Although at that point you could have really called me an ‘anything’ photographer. It was early in my career. At that point in time I would have photographed a cat eating belly button lint if someone had paid me to do so. As it turned out, being a wedding photographer didn’t really pop my strobe. I’m more of a problem solving photographer. Planning a shot in advance, scouting, and making it a reality when conditions are right is the kind of creativity I really enjoy investing in my photo shoots. When I do an architectural shoot I’ll often walk around the building for hours exploring angles and finding the perfect way to fit the structure into the surroundings. On an adventure shoot it’s always about scouting the location and figuring out the perfect time of
©andrewdoran_com-203p-DSC_7830
©andrewdoran_com-461p-DSC_8409
©andrewdoran_com-540p-DSC_9060
©andrewdoran_com-368p-_D7K6980
©andrewdoran_com-478p-DSC_8481
©andrewdoran_com-480p-DSC_8495-Edit
©andrewdoran_com-418p-DSC_8251
©andrewdoran_com-441p-DSC_8346
©andrewdoran_com-117p-DSC_7642
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AstroPad Mini Turns Your iPhone Into a Photo Editing Graphics Tablet

photoeditingiospad Last month we reported on the AstroPad App for the Apple iPad: a solution that allowed you to turn your consumer tablet into a professional graphics tablet when working with applications such as Adobe Photoshop, Lightroom, or Illustrator. Now, the company is announcing a new app for the iPhone called AstroPad Mini — it’s everything you love about AstroPad… just minimized. Screen Shot 2015-08-27 at 1.36.05 PM copy AstroPad Mini uses the same ‘LIQUID’ platform as its bigger sibling, which allows for extremely fast response times over twice as fast as Apple’s AirPlay technology platform. Accelerated by the graphics processor and optimized code, AstroPad Mini can run at 60fps while maximizing battery life. Of course, if you don’t feel like going wireless, you can always keep your iPhone tethered via USB. liquid-iphone To overcome the shortcomings of the iPhone’s smaller display, AstroPad Mini users can utilize their fingers to pinch in and out or to navigate around
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When Photography Becomes a Weapon

gun Photography has been used in many ways throughout its history: as documentation, propaganda, keepsake, etc. But never has it been so frequently used as a weapon as in the Information Age. As visual communication becomes the de facto language of social media, we can only surmise that we will see more and more examples of using photography for nefarious purposes. In Regarding the Pain of Others, Susan Sontag comments: “Photographs of an atrocity may give rise to opposing responses. A call for peace. A cry for revenge. Or simply the bemused awareness, continually restocked by photographic information, that terrible things happen.” Indeed, war photography has served the purpose of glorifying soldiers (e.g. Roger Fenton) to shocking nations to the horrors of war (e.g. Margaret Bourke-White, Yosuke Yamahata, Nick Ut, et al). But in the 21st century, photographs of an atrocity don’t wait to give rise to
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Instagram Will Now Support Landscape and Portrait Format Photos

headerformats Starting today, Instagram users will no longer be limited to posting square photos. The Facebook-owned photo-sharing company just announced that it is finally enabling support for landscape and portrait format photos and videos. formatbutton2 From its inception back in 2010, Instagram has been known for its recognizable 640×640 filtered photos. But the company is lifting the square aspect ratio restriction in order to help photographers better tell their stories. “Square format has been and always will be part of who we are,” Instagram says. “That said, the visual story you’re trying to tell should always come first, and we want to make it simple and fun for you to share moments just the way you want to.” The company reveals that nearly 1/5 of uploaded photos and videos aren’t in square format. To retain the native aspect ratio, you can tap a new format icon to adjust the orientation to
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Humor: The Exchange Rate of Pictures and Words

exchangerate You’ve heard that a picture is worth a thousand words, right? Well, perhaps not always. Redditor doowi1 created this humorous illustration showing the Google result for the exchange rate between pictures and words over the past half decade. “Take a picture, it’ll last longer,” they write. Sadly, this isn’t an actual easter egg built into Google’s search engine, but we think the company should definitely consider adding it.

The Future of Photography

DSCF2571 After reading Stephen Mayes’ TIME essay on the end of photography I couldn’t help but respond. To begin with, his main proposition is that “in the future there will be no such thing as a ‘straight photograph’” to which I’d add that I’m not sure there ever really has been much of a ‘straight photograph’ although in recent decades the public has become increasingly aware of this. Ed Weston, photographic pioneer of American Modernism, referred to the photograph (in 1932) as a “willful distortion of fact,” and this was long before Photoshop… and the debate as to whether photography was a mechanical reproduction of the real world or whether it was a medium for artists is as old as the technology itself. Photography has always been enmeshed with technology, but it has never been about it. The changes that Mayes is noticing are nothing new, even if they are dramatic
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Usain Bolt Floored by Segway-Riding Cameraman

segwayrider World champion sprinter Usain Bolt had a scary encounter with a clumsy cameraman at the World Athletics Championships in Beijing today. After winning the 200m race, Bolt was upended after the cameraman lost control of the Segway he was riding. The incident happened during Bolt’s victory lap around Bird’s Nest stadium, where Bolt won 3 gold medals in 2008. As the cameraman rolled alongside the sprinter with a camera in hand, the Segway ran up onto a metal camera railing, changed direction, and zoomed right under Bolt’s legs. Here’s what happened from a few different camera angles: Bolt limped a bit after getting up, but he soon continued on his victory lap after checking to make sure the cameraman was okay. “It took me out pretty well,” Bolt says. “But I’m OK. No issues, so I’m happy about it.” The 29-year-old running is arguably the most popular sprinter in
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A Model Held Her Breath For 5 Minutes for this Single Take Music Video

Typically, tying a model up and throwing her to the bottom of a pool isn’t a recommended practice for both legal and moral reasons. However, this new music video for the song “Lydia” by Highly Suspect dares to do just that. You begin to realize something is a bit odd as the video rolls on and on — there are no cuts, meaning Marina Kazankova actually had to hold her breath during the entire 4-minute-plus video. Screen Shot 2015-08-26 at 3.54.59 PM copy It turns out the woman, Marina Kazankova, is not only a model but also a world champion freediver. According to the production team, it took years to comb through the freediving community and find the field-experts needed to bring the concept to life. Specialists such as underwater camera operators, lead safety divers, and more were required to ensure the project was captured correctly while keeping all the participants safe. “Everything you see is
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The Art of the Personal Project: Ransom & Mitchell

As a former Art Producer, I have always been drawn to personal projects because they are the sole vision of the photographer and not an extension of an art director, photo editor, or graphic designer. This new column, “The Art of the Personal Project” will feature the personal projects of photographers using the Yodelist marketing database. You can read their blog at http://yodelist.wordpress.com. Projects are discovered online and submissions are not accepted. Today’s featured photographer is: Ransom & Mitchell — the collaborative storytelling team of Digital Artist + Set / Prop maker Stacey Ransom and Director + Photographer Jason Mitchell. rm_amazoniastrong-ss rm_bonkersblack-ss rm_drhuckleberryschuxley-ss rm_fijimermaid-ss rm_jewelsofthenile-ss rm_maharishimistari-ss rm_missheadylamour-ss rm_mizbeardsley-ss rm_shkipperandthemaneken-ss rm_spidora-ss rm_thefinalact-ss rm_thepharaohsdaughters-ss rm_twohalfsandawhole-ss How long have you been shooting?
We’ve been working together with a focus on still production as a team for six years. Prior to that, our main focus was narrative film production. We both had been working in or near the industry for over 20 years. Stacey started out art directing photoshoots while working in-house for major retail brands like Limited Stores and Columbia Sportswear. She then was the VP Design Director in charge of visual design and branding at the VIA San Francisco office. Soon after she transitioned behind the camera, to get back in touch with her roots as a set and prop maker for photos and film. Jason was a broadcast journalist in the Navy for seven years before moving to San Francisco. There he began working in studio and field production for corporate clients which evolved into freelance commercial production as a cinematographer and director. Are you self-taught or photography school taught?
Interestingly enough, Stacey majored in photography at the Bauhaus-focused Columbus College of Art and Design, but it was the set design and art direction that really captured her interest. Jason first studied acting at Carnegie Mellon University, then decided to jump behind Continue reading "The Art of the Personal Project: Ransom & Mitchell"

Canon’s EOS M3 Mirrorless Camera Will Hit US Shores This October

canoneosm3us Earlier this year, Canon unveiled their EOS M3 24.2 MP mirrorless compact camera with interchangeable lenses. Unfortunately for those in North America, the M3 was only launched in Europe and Asia at the time. Now, Canon’s mirrorless compact is making its way to American shores and will be launching in October of this year. 5654034146 The Canon EOS M3 features a few improvements over its predecessor, including a more powerful 24 MP sensor, an expanded ISO range up to 25600, stereo microphones, a 49-point phase detection autofocus system, a more ergonomic body design with dual control dials, a dual-led pop-up flash and slightly faster shooting speeds (4.6fps vs 4.2fps). 4438003786 Canon says that the interface has also been redesigned to help those already familiar with the company’s lineup of DSLR cameras: “Photographers familiar with other Canon EOS cameras will note the EOS M3’s interface is similar to Canon’s current
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The Palette Cube is Like a Portable Eyedropper Tool for the Real World

11269241_498821266954081_831017344068371979_o Cube is a small new device from the Australian company Palette. Easily sample colors around you using the portable color digitizer and sample them later on your PC or Mac. While the Cube’s central abilities focus on identifying the beautiful colors that surround us every day, it can also be used for color matching and achieving picture-perfect white balance in photos. cubeheader Weighing only 1.76 ounces, Cube can easily be carried around in your photo bag. Just take it out, place it on a surface, and tap the top of the unit to sample the current color. Results can be transferred to your iOS or Android smartphone for instant viewing or imported into Adobe Photoshop. Cube can report its findings back in a number of different color systems including RGB, HEX, CMYK, LAB, and LRV. 10917791_470217833147758_1665831789038089723_o   ContactSheet-001 The Cube itself is designed from high impact PC/ABS plastic and uses what Palette
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The Photo as Weapon

Photography has been used in many ways throughout its history: as documentation, propaganda, keepsake, etc. But never has it been so frequently used as a weapon as in the Information Age. As visual communication becomes the de facto language of social media, we can only surmise that we will see more and more examples of…

Canon Unveils the 35mm f/1.4L II, the First Lens with Blue Spectrum Refractive Optics

caon35mmf14ii As expected, Canon today announced its new EF 35mm f/1.4L II prime lens. On APS-C sensors, the lens is the equivalent of a 56mm. It’s the world’s first lens that features the company’s new Blue Spectrum Refractive Optics (BR Optics) technology. views Canon says BR lenses use a new optical technology in which special organic material helps combat chromatic aberration in photos, resulting in higher image quality. The organic layer sits between two glass lens elements and refracts more blue light — historically one of the challenges of lens design — which helps to control color fringing. brdescription Other specs of the lens include 14 elements in 11 groups, two aspherical elements, one UD element, SWC coating to combat flare and ghosting, a minimum focusing distance of 0.28m (about 11 inches), a maximum magnification of 0.21x, quick and quiet USM focusing, a 9-blade circular aperture, full time mechanical
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