Last week I was asked to shoot some model polaroids and create a comp card for my friend and a fantastic model, Mallory Mims, for her to take with her when meeting with agencies in LA. Before starting I did some research and gathered some examples so that I could give Mallory the best results and ensure she’d make a great first impression when meeting with potential agents. I got a little nervous during my Google search because I wasn't finding consistent standards or templates very quickly. Since I had such a hard time in my own research I am Continue reading "Why Every Visual Artist Should Carry Comp Cards and How to Make Your Own"
Photography is all relative to the creator and the viewers, so the decision of whether to underexpose, overexpose, or to expose your portraits evenly is obviously subject to personal preference. There is merit to any of the methodologies that you could apply to your own photography and it really just comes down to figuring out what works best for you and your gear. [ Read More ]
Sigma has been killing it lately with their Art series of lenses, and this entry doesn't stray far from the pack. With a great build, low distortion, and a very competitive price, it’s a contender for the best ultrawide lens available in its class. I had one for a few weeks and got to see if it lived up to the hype and high bar set by its fellow Sigma Art lenses. [ Read More ]
An annual pilgrimage for those among us who relish in new gear and the latest in our industry, PhotoPlus Expo 2017 is right around the corner. Taking place a few weeks after New York Comic Con, from October 25 to October 28, the Javits Center transforms into a digital wonderland loaded with the latest cameras, lenses, software, lighting, training, and seminars. It's been almost a decade since I attended PhotoPlus for the first time, and it’s a highlight I’ve only missed it a couple of times since. Here are my personal take on why you should get yourself there and Continue reading "Why You Need to Attend PhotoPlus Expo 2017"
I don't make time-lapses, but as a viewer I frequently happen to find time-lapse videos that I can't or don't watch at all. Here are my tips for all of you out there to make your sequence of images more appealing to any audience. [ Read More ]
Over the past few years, we’ve seen digital medium-format photography go from something of a hulking utilitarian beast into something a little more elegant in terms of usability. The Phase One and Hasselblad flagships, although coveted by many, were only attainable by a select few and really only intended for methodical work. The latest additions to the medium format realm have flipped this market on its head and put digital medium format into the hands of the masses. The Hasselblad X1D-50c and the Fujifilm GFX 50S are more in line with the everyday consumer's needs in terms of both price Continue reading "The Fujifilm GFX 50S as a Travel Camera"
Let’s face it, in today’s world it is always better to be safe than sorry, especially for artists with demanding clients. I’m a huge believer in utilizing contracts to keep everyone on the same page, but contracts can be difficult when they are severely limiting. [ Read More ]
Most photographers use their cameras on a daily basis with little or no thought to how it functions under the hood. For the most part, this makes sense, mastering a tool doesn't require understanding exactly how it functions on the most intimate technical level. There are, however, aspects of camera operation that a cursory knowledge of can aid in being better equipped to address unexpected technical or mechanical issues. Given that autofocus can be finicky, it quickly becomes one of the critical aspects of your camera that you should take the time to learn about. [ Read More ]
The Nikon D850 is quite the beast of a camera. It holds a massive 45.7-megapixel full-frame sensor that can record 4k video and create 8k time-lapses. It can shoot at a blazing fast seven frames per second and has an enormous 51 image buffer when shooting 14-bit raw images. The focus speed is insanely fast, deadly accurate, and offers 153 focus points with 130% more frame coverage than the older Nikon D810. The only problem with such an amazing monster of a camera is that Nikon thinks it’s too much for women to handle. [ Read More ]
I’ve been a Profoto user for quite a while now, loving my B1s and B2s for wedding photography, and my D1s for studio photography. I’m a huge fan of off-camera flash, especially when it can be easily manipulated into looking like natural light when I need it to. After all, that’s what 99 percent of my wedding clients want: natural light and a golden-hour glow regardless if it’s raining or we’re shooting in noon-day sun. What I’ve been missing, however, is the portability of a small flash, and being able to use it on camera. [ Read More ]
Working as a video editor can be a hectic and tedious experience. Spending some time to think about organizational tools and methods can help you out significantly when working with a lot of files, or in a large group of colleagues. Renaming files, creating proper folder structure, logging metadata, backing up files, and developing a workflow can make your life much, much easier. While some of the advice listed below is geared for Premiere Pro users, any video editor can take advantage of these tips. [ Read More ]
Every couple of months it seems like there is a new story about how a magazine cover was photographed with an iPhone. Magazines like Bon Appetit, Elle Australia, and Billboard have opted out of the realm of photographers using traditional, professional gear, and into the realm of gear used for taking snapshots and selfies. For each announcement, there are thousands of photographers grinding their teeth and shouting, "this is nothing but a publicity stunt!" But is it? Maybe it's time for the photography community to face the truth: it's not the gear that matters. [ Read More Continue reading "iPhone Magazine Covers, and Why it Doesn’t Matter"
Food photography is great fun and really easy to get into. All you need is a camera (which if you own a smart phone, you already have) and some food. [ Read More ]
At this point, we should all know that almost all jobs and opportunities to find success in photography are built off networking. Now there are tons of ways to network and the path you pick will depend solely on the niche you associate with. Either way, the main goal is to meet people with the same professional interests as yourself to feed off each other creatively and to broaden your reach in the community. We tend to forget about the community aspect as we get caught up in chasing money or companies but what we sometimes need to go to Continue reading "How to Build Your Own Photography Community Through Collaboration"
I had the glorious opportunity to play with the highly-anticipated (at least for me) upgrade from the D810, the D850. I wanted to touch on a few things, namely the hype and if one really needs this new camera. For me, absolutely I do and I'll explain why. This isn't a review of the D850, but just a few key things that I was really wondering about and needed to know before upgrading. [ Read More ]
Designed for DJI photographers and cinematographers alike, PolarPro's Cinema Series for the Phantom 4 Pro/Advanced includes six incredibly useful filters: three neutral density filters and three polarizing and neutral density filters. I had been looking at filters for quite some time and wasn't sure where to begin so this set was the perfect place to start. Available for a wide array of quadcopters well beyond the Phantom 4 Pro tested, if you are looking to improve your quadcopter's image quality by adding filters, check out this review of PolarPro's Cinema Series. [ Read More ]
Long before I ever picked up my first camera I was always fascinated by the subject of psychology. To understand some of the reasons why humans behave the way they do is rather useful in many areas of our lives. Once I started to get into photography more seriously I began to realize how the two subjects could be used together to make more powerful images. [ Read More ]
Every year for the past few years, I’ve donated photo work to a local organization that puts on a half marathon in coordination with the local firefighters union chapter to raise money for local charities. Last year, I ended up doing a relatively simple shoot with just some firefighters and a ring light. This year, I wanted something different. And so, quickly and repeatedly, the question became, “Can we use real fire?” [ Read More ]