Like pretty much all photographers, I rely very heavily on my eyesight, not only for shooting but also image processing. Being a professional photographer, my life quite literally depends on my ability to see. Therefore, the idea of having my eyes cut open, lasers pointed at them, and then have them stitched back together is sort of a terrifying thing to think about.
I contemplated for years whether I should get the surgery or not; part of me was tired of constantly having to shoot through my glasses, but the other part of me was terrified of damaging my vision.
Want to see how popular full-frame cameras from Sony, Nikon, and Canon stack up? Here’s a 20-minute comparison video from Dan and Sally Watson that looks at the differences between the Sony a7R III, Nikon D850, and Canon 5D Mark IV.
The video runs through pretty much all questions you might have about the cameras, covering everything from ISO handling to video.
For usability, the LiveView showing up in the viewfinder of the Sony A7R III is a major plus point for Sally. Dan agrees, pointing out that the Nikon D850 is the weakest when it comes to LiveView usability.
Is it worth upgrading to the latest fully loaded iMac Pro, which will cost you $14,000? Filmmaker Parker Walbeck recently went hands-on to find out. Here’s his interesting 4-minute video review that looks at the speed comparisons between a fully loaded iMac Pro and a fully loaded $6,000 iMac.
The review shows side-by-side comparisons of each computer running a number of tasks. First off, Walbeck tests playback speeds of RED 8K footage. The iMac Pro plays back flawlessly at real speed while the iMac had to have the resolution reduced to 1/8th to see the same smooth playback.
Photographer Matt Granger has been testing out the Leica NOCTILUX 75mm f/1.25 lens, which retails for a whopping $12,800, and in this 9-minute test video he shares his initial thoughts about using it.
Granger took the Leica 75mm, the most expensive retail Leica lens, out to shoot at a harbor with his model Steph. He worked to “obliterate” the background with the incredibly shallow depth of field allowed by the f/1.25 maximum aperture.
While the amount of light let into the camera by this lens is a huge
Last summer I replaced my trusty Sekonic L-758Cine light meter with the new L-858D model. The 858D features a mix of physical buttons and a touchscreen UI, and some really smart upgrades over previous models. After using it for around 8 months, I wanted to share my thoughts on this new meter.
Firstly, I found the 858D a lot simpler to pick up and learn. The 758Cine was an excellent meter, but I personally never really found it to be very intuitive. Anyone who has used the 758 will recall the multi-button dance it takes to modify settings…there was a
Kodak’s Portra 400 film is praised for its versatility, but exactly how well does it handle underexposure and overexposure? How far can you push things before your photos become unusable? Canadian photographer Kyle McDougall decided to find out by doing his own test.
In the 6.5-minute video above, McDougall shoots a roll of Kodak Portra 400 through his Pentax 67 medium format camera, capturing the same scene at 10 different exposure values ranging from -3 to +6.
“An important thing to understand is that regardless of how over- or underexposed your film is: the lab you use is always
In the pantheon of lens focal lengths, 28mm is a bit of an outlier. Photojournalists are more apt to reach for the 35mm, while many manufacturers have settled on 24mm for primes and the wide end of their zoom lenses. But 28mm has become visually familiar to consumers because its field-of-view equivalent can be found on many smartphones like the iPhone.
Zeiss caused a ruckus when it announced its line of Otus lenses in 2013; a line designed for maximum still photography performance with a weatherproof construction made of glass, aluminum, and rubber. Maximum quality also means eye-popping prices. The
My name is Lance Keimig, and I’m one of the instructors for National Parks at Night, a workshop program focused on night photography in national parks. All five of us instructors are primarily Nikon shooters. Between us, we use the D750, D810, D3s, D4s, and D5. Although we are generally happy with our current cameras, some of us are ready for an upgrade.
As such, the announcement of the D850 a few months ago excited us as much as it did the rest of the photo world. This camera was touted to be a game-changer for every niche it
How does Apple’s top-of-the-line computers for creatives stack up against a formidable gaming desktop? In this 12-minute video, photoshopCAFE pits a $6,400 iMac Pro, Mac Pro, and MacBook Pro against an Alienware Aurora R6 PC.
The configurations of the computers being tested were as follows:
Instead of using benchmarks, this test looks at performance in Adobe Premiere Pro, Photoshop, and other tasks.
First off, the speed at which each computer could open an Adobe Premiere Pro project file that had lots of different formats and effects already applied inside it. Surprisingly, the MacBook Pro was the winner here at 14
The DoPchoice SnapBag Lantern is the latest light-shaping product to emerge out of Munich. DoP Choice have been making and creating lighting tools that are designed to be easy to…
The post DoPchoice SnapBag Lantern Review appeared first on Newsshooter.
A few weeks ago I was lucky enough to get my hands on the brand new Panasonic Lumix GH5S in time to start shooting for our new short film 4:17 AM. The shoot was going to take place mainly at night and early morning, so when I heard about the GH5S, I thought it would be the ideal testing bed for the new camera.
I’ve also spent the last few months assembling a collection of anamorphic adapters and associated accessories and I decided that this project would suit shooting some scenes in anamorphic too.
The concept of the film that
Many Sony shooters rave about their cameras but rant about the menu systems within them. Camera reviewer Maarten Heilbron has some ideas on what’s wrong and how things can be improved. Here’s his 11-minute video “rant” on the subject.
“Sony’s features are at the leading edge of camera technology,” says Heilbron. He accepts that this will lead to complexity in the menus, but he nevertheless remains frustrated at the lack of organization and clarity.
With the introduction of the new a7R III, Sony has adjusted the menu. Heilbron hoped that with this new generation of cameras there would be a
Professional photographer Tyler Stalman recently tested out the iPhone X extensively to see its camera capabilities. In this 9-minute video review, Stalman shares his findings on how the iPhone X performs in the real world.
Comparing the iPhone X to the Google Pixel 2 and iPhone 6S, Stalman’s feelings about the phone were mixed. Stalman says that the sharpness and contrast of images are now better, with saturation boosted a little too.
High Dynamic Range (HDR) photography has been improved, which is good to see, but Stalman feels that “the Google Pixel 2 has the edge” in this area. The