Davinci Resolve Tutorial: Skin Tone Correcting With Respect to Ambient Light Color

Davinci Resolve Tutorial: Skin Tone Correcting With Respect to Ambient Light Color The process of color correcting and color grading in filmmaking is an art of its own. Even if you do not work with video, such techniques can bring your photographs to the next level. The goal of this short tutorial is not creating an orange and teal look, but rather teaching you how ambient light affects highlights, midtones, and shadows of the skin. Knowing this technique you can color grade visuals the way you see them in many films. [ Read More ]

Tune Up Your Vlog With Five Easy Hacks for In-Camera Transitions

Tune Up Your Vlog With Five Easy Hacks for In-Camera Transitions Wrapping up the shooting for your latest vlog is always a satisfying feeling but, of course, the work has only just begun. Cutting, editing, adding sound, text; the list of finishing touches for your vlog goes on. One way to speed up that workflow is to accomplish as much of the work as possible in camera, reducing your workload once you've uploaded your content to your computer. Daniel DeArco has put together a vlog showing off some really easy and effective transitions that will take your vlog from static to dynamic with minimal extra effort. [ Read More ]

Fstoppers Reviews the PolarPro Elektra Cinematic Color Presets

Fstoppers Reviews the PolarPro Elektra Cinematic Color Presets

Working with multiple cameras in filmmaking is almost inevitable. Most of the time you are in a situation working with cameras of different brands or different models. Matching the picture from these cameras can be a painful process involving color charts, reference frames, creating custom LUTs (look-up tables), etc. PolarPro tries to make our workflow easier by releasing presets of cinematic LUTs that can be used to match footage from different cameras and drones.

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How to Stabilize Footage Without Using Premiere’s Wrap Stabilizer

How to Stabilize Footage Without Using Premiere's Wrap Stabilizer After getting into the video world, you quickly realize that being able to stabilize your footage when needed can make a significant impact on the result and quality of your video. While you can buy an expensive gimbal or rely on a not always so practical Steadicam, there is also the possibility of improving the stabilization in post-production. The tools included in most video editing apps aren’t exactly perfect as it will give you a weird effect and make you feel sick. What if I told you there is another way that works better than the wrap stabilizer VFX filter Continue reading "How to Stabilize Footage Without Using Premiere’s Wrap Stabilizer"