This post is by Eric Baker from No Film School
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It’s been a long road for colorist Shane Harris. From a cold-calling marketing gig straight out of college to being a Color Assist and “graduating” to Encore Hollywood’s Senior Colorist, Harris has now landed a gig on one of television’s most coveted projects: being the colorist on HBO’s highly acclaimed Westworld.
Whether you’re an aspiring colorist or an emerging cinematographer (or simply curious about the visually stunning, cinematic look of Westworld‘s second season), you will find of insight in our brief chat with Harris, which took place at Encore’s flagship post-production facility in Hollywood, where Harris spends his days (and frequently nights) color grading.
No Film School: How did you first get into color grading?