Zacuto Panasonic S5 Cage


This post is by Matthew Allard ACS from Newsshooter


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Zacuto has a new cage for the Panasonic LUMIX S5. Zacuto is touting it as being a “no-cage” cage that is lightweight and compact, and compatible with Zacuto’s Arca Swiss ‘ACT Recoil‘. The cage screws into the bottom of the camera with an included ¼ 20″ screw. It also attaches to the sides of the … Continued

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Flowcine xSPINE & GLINK


This post is by Matthew Allard ACS from Newsshooter


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Flowcine has announced the xSPINE and the GLINK, two new additions to its family of camera support products. The xSPINE and GLINK have also been made to complement each other and can be used with both Steadicams and gimbals. xSpine The xSPINE vest is being touted as the world’s first universal vest made for any … Continued

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Sony FX9 gets ProRes RAW Support


This post is by Matthew Allard ACS from Newsshooter


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Atomos has finally announced the availability of ProRes RAW support for the Sony FX9. You will be able to record ProRes RAW over SDI externally to the Atomos Shogun 7. This comes in the form of the AtomOS V10.42 firmware update which is free to download. Sony recently released firmware version 2.0 for the FX9 that … Continued

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Adobe Premiere Pro Speech to Text


This post is by Matthew Allard ACS from Newsshooter


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Adobe Premiere Pro Speech to Text is a new feature that will come to the NLE in early 2021. Speech to Text automatically generates a transcript and adds captions to your videos. With so many people watching on smart devices and content being pushed out worldwide to multiple countries, having the ability to automatically add … Continued

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CAME-TV Boltzen 150w Fresnel Focusable LED Bi-Color


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CAME-TV has announced its new Boltzen 150w Fresnel Focusable LED Bi-Color light. This is basically a bi-color version of their existing Boltzen 150w Fresnel Focusable LED Daylight fixture. CAME-TV has released quite a few lights in the Boltzen series over the years and they gained a pretty good reputation as affordable LED Fresnel fixtures that … Continued

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DJI Pocket 2


This post is by Matthew Allard ACS from Newsshooter


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Hot on the heels of the RS 2 and RSC 2 announcements, DJI has unveiled the Pocket 2. This is the second iteration of the Osmo Pocket that was announced back in November 2018. I reviewed the Osmo Pocket and found it to be a bit of a jack of all trades, master of none. … Continued

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CAME-TV Z Cam E2 Cage Kit


This post is by Matthew Allard ACS from Newsshooter


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CAME-TV has introduced a new Cage Kit for the Z Cam E2 range of cameras. This kit has been designed to include everything you need to get up and running with a Z Cam E2 camera. The Z Cam E2 cameras have proved to be fairly popular with shooters on a budget, however, because of … Continued

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ARRI EF Mount (LBUS) for large-format and Super 35 cameras


This post is by Matthew Allard ACS from Newsshooter


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ARRI has officially announced its EF Mount (LBUS) which allows users of the ALEXA Mini, Amira, and ALEXA Mini LF to take advantage of Canon EF mount lenses. KEY FEATURES Use EF mount lenses with ALEXA Mini LF, ALEXA Mini, and AMIRA Wider light baffle covers large-format and Super 35 sensors Extra LBUS connector frees … Continued

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CAME-TV Single Arm 1.5-12 Lbs Load Camera Video Stabilizer


This post is by Matthew Allard ACS from Newsshooter


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CAME-TV has a new Single Arm 1.5-12 Lbs Load Camera Video Stabilizer that you can use to mount gimbals to cars and other platforms. It is suitable for use with smaller sized gimbals and camera packages. It attaches to any regular 32-36mm diameter tubes. The payload capacity is 0.7-5.5kg (1.5-12 lb). It features three hydraulic … Continued

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Tilta DJI RS 2 Ecosystem


This post is by Matthew Allard ACS from Newsshooter


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Tilta has unveiled a plethora of new accessories and mounting solutions for DJI’s new RS 2 gimbal. Whether you are looking for small accessories or complex car mounting solutions, Tilta has a lot of options available. According to Tilta, they have been working closely with DJI even during the development of the RS 2. This has … Continued

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Digital Anarchy Flicker Free 2.0


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Digital Anarchy has launched Flicker Free 2.0, a new version of the company’s deflickering tool that works with most major editing platforms. If you are not familiar with Flicker Free, it is is a plug-in that fixes flicker problems that occur from shooting time-lapse, slow-motion video, drone footage, or under certain LED or fluorescent lights. … Continued

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Vaxis Atom 500 SDI Review


This post is by Matthew Allard ACS from Newsshooter


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The Vaxis Atom 500 SDI is essentially an SDI version of the Atom 500 that I reviewed earlier in the year. The benefit of using an SDI wireless video system is that it makes it compatible with more cameras and you should be able to get a lot better latency than when using HDMI. Up … Continued

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Revar Cine 2-8 Stop Variable ND for Matte Boxes


This post is by Matthew Allard ACS from Newsshooter


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The Revar Cine Variable ND kit is a Variable ND solution that you can use in matte boxes. It makes for a compelling alternative to those who prefer to use a variable ND rather than fixed single stop filters in matte boxes. To create the Variable ND system you use a combination of a linear … Continued

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Apple iPhone 12 Pro 4K 10-bit HDR


This post is by Matthew Allard ACS from Newsshooter


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Apple has announced a range of new iPhones, including the iPhone 12 Pro that some pretty impressive video specifications. If you want to watch the entire Apple event where they unveiled the new iPhones, you can above. 10-bit HDR Recording The iPhone 12 Pro gets the ability to record 4K 10-bit HDR video. According to … Continued

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Canon EOS M50 Mark II


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Canon has announced the new EOS M50 Mark II. It features a 24.1MP APS-C CMOS Sensor and a DIGIC 8 image processor. The camera is being targeted at vloggers and content creators. According to Canon, the EOS M50 Mark II features improved auto focus capabilities, better recording options, and easier ways of sharing content. The camera … Continued

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MEIKE T2.9 mini-prime manual focus cinema lens


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MEIKE has announced its new T2.9 mini-prime manual focus cinema lens. This is an ultra-wide-angle lens that covers APS-C sized sensors, however, it only comes in M4/3 mount. The lens weighs in at 545g (19.22 oz) and it has a front filter diameter of 77mm. The optical design consists of 17 Elements in 12 Groups … Continued

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Panasonic LUMIX BGH1 Multipurpose BOX Style Camera


This post is by Matthew Allard ACS from Newsshooter


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Panasonic has announced the LUMIX Multipurpose BOX Style Camera (BGH1). As the name suggests, this is a camera that can be used for a wide variety of applications. Essentially Panasonic has taken the internals of a GH5S and rehoused them in a box. Ok, there is a little bit more to it than that, but … Continued

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Panasonic LUMIX BGH1 Multipurpose BOX Style Camera


This post is by Matthew Allard ACS from Newsshooter


Click here to view on the original site: Original Post




Panasonic has announced the LUMIX Multipurpose BOX Style Camera (BGH1). As the name suggests, this is a camera that can be used for a wide variety of applications. Essentially Panasonic has taken the internals of a GH5S and rehoused them in a box. Ok, there is a little bit more to it than that, but … Continued

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SLR Magic MicroPrime CINE 17mm T1.5 & 35mm T1.5 for M4/3


This post is by Matthew Allard ACS from Newsshooter


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SLR Magic has announced the MicroPrime CINE 17mm T1.5 and 35mm T1.5 flenses for or M4/3 mount. All MicroPrimes lenses feature full manual control, a 82mm thread front, a 85mm front diameter for clamp-on matte boxes, 0.8 MOD gears, and are almost identical in form factor and weight.  According to SLR Magic, they feature a … Continued

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SLR Magic MicroPrime CINE 17mm T1.5 & 35mm T1.5 for M4/3


This post is by Matthew Allard ACS from Newsshooter


Click here to view on the original site: Original Post




SLR Magic has announced the MicroPrime CINE 17mm T1.5 and 35mm T1.5 flenses for or M4/3 mount. All MicroPrimes lenses feature full manual control, a 82mm thread front, a 85mm front diameter for clamp-on matte boxes, 0.8 MOD gears, and are almost identical in form factor and weight.  According to SLR Magic, they feature a … Continued

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