Noa Koefler and Hannes Lochner: a passion for wildlife


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




Noa Koefler and Hannes Lochner: a passion for wildlifeWhen action happens, the animals don’t wait for you. That’s when Noa Koefler picks the Cartoni SDS Tripod to help her get the shot. It’s one of her trusty three-legged friends on the vast plains of Africa.

“Life of Adventure” is an introduction video of Hannes Lochner on Patreon. It’s a starting point to discover the photographer, the other path being Noa Koefler’s website, where you discover how this native of the beautiful Dolomite Mountains in South-Tyrol decided to leave behind a normal work and explore her passion for nature and adventure.

After training as a field guide and

Noa Koefler and Hannes Lochner: a passion for wildlife
Noa Koefler and Hannes Lochner: a passion for wildlife
Noa Koefler and Hannes Lochner: a passion for wildlife

Continue reading “Noa Koefler and Hannes Lochner: a passion for wildlife”

A new lens: the Mitakon Speedmaster 50mm f/0.95 for Leica M mount


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




A new ZY Optics lens: the Mitakon Speedmaster 50mm f/0.95 for Leica M mountZY Optics announced the company’s new product: the Mitakon Speedmaster 50mm f/0.95 lens in Leica M mount, compatible with Nikon Z and Sony FE cameras, with and autofocus adapter.

Compatible with third-party AF adapters (including Megadap MTZ11 / Techart TZM-01 / LM-EA7), the new Mitakon 50mm f/0.95 lens for Leica M mount introduces to Leica users the popular Mitakon Speedmaster 50mm f/0.95 line-up. According to ZY Optics, the lens is specially redesigned to work well with Leica M camera systems and supports rangefinder coupling for focus assistance.

Designed to be the ultimate lens when light levels are

A new ZY Optics lens: the Mitakon Speedmaster 50mm f/0.95 for Leica M mount
A new ZY Optics lens: the Mitakon Speedmaster 50mm f/0.95 for Leica M mount
A new ZY Optics lens: the Mitakon Speedmaster 50mm f/0.95 for Leica M mount

Continue reading “A new lens: the Mitakon Speedmaster 50mm f/0.95 for Leica M mount”

How are modern computer hardware battles impacting production and post?


This post is by Phil Rhodes from ProVideo Coalition


Click here to view on the original site: Original Post




How are modern computer hardware battles impacting production and post? 2

It’s great, if you’re a manufacturer, to feel like you’ve got control over a market. If you’re the only outfit making something, or at least if you control who can make that thing, you can minimise some of the traditional pains of technology manufacturing. Compatibility is less of an issue if you get to approve everything, you control the features and the documentation, and all of this adds up to fewer tech support calls, each of which costs you something to service. And, of course, if you’re licensing the design, you get to make money on things built by other Continue reading “How are modern computer hardware battles impacting production and post?”

ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, “Seduced: Inside the NXIVM Cult”


This post is by Steve Hullfish from ProVideo Coalition


Click here to view on the original site: Original Post




Today, I’m speaking with Emmy and Eddie nominated documentary editor, Inbal B. Lessner, ACE.

Her work includes the feature documentaries, Brave Miss World and I Have Never Forgotten You, CNN’s series of “decade” defining documentaries on the 70s, 80s, 90s, and aughts, Mothers in the Middle, and Can We All Just Get Along, for which she was nominated for an ACE Eddie.

In addition to her documentary work, she was an additional editor on Natalie Portman’s directorial debut, A Tale of Love and Darkness.

Today we’re discussing her work on the Starz network’s documentary series, Seduced: Inside the NXIVM

Editor of Seduced: Inside the NVIXM Cult
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 13
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 14
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 15
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 16
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 17
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 18
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 19
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 20
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 21
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 22
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 23
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 24
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 25
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 26
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 27
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 28
ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 29
artofthecut-9999504

Continue reading “ART OF THE CUT with editor Inbal B.Lessner, ACE on the Starz doc series, “Seduced: Inside the NXIVM Cult””

ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, “Seduced: Inside the NXIVM Cult”


This post is by Steve Hullfish from ProVideo Coalition


Click here to view on the original site: Original Post




Today, I’m speaking with Emmy and Eddie nominated documentary editor, Inbal B. Lessner, ACE.

Her work includes the feature documentaries Brave Miss World and I Have Never Forgotten You, CNN’s series of “decade” defining documentaries on the 70s, 80s, 90s, and aughts, The Two Killings of Sam Cooke, and Can We All Get Along, for which she was nominated for an ACE Eddie.

In addition to her documentary work, she was an additional editor on Natalie Portman’s directorial debut, A Tale of Love and Darkness.

Today we’re discussing her work on the Starz network’s documentary series, Seduced:

Editor of Seduced: Inside the NVIXM Cult
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 14
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 15
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 16
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 17
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 18
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 19
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 20
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 21
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 22
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 23
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 24
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 25
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 26
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 27
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 28
ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, "Seduced: Inside the NXIVM Cult" 29
artofthecut-9999504

Continue reading “ART OF THE CUT with editor Inbal B. Lessner, ACE on the Starz doc series, “Seduced: Inside the NXIVM Cult””

Review: RØDE Vlogger Kit-USB C Edition


This post is by Allan Tépper from ProVideo Coalition


Click here to view on the original site: Original Post




I am delighted to inform you that our Australian friends at RØDE Microphones has officially embraced Android users (while continuing to embrace iOS users) with the announcement of three additions to its market-leading range of creative solutions for vloggers. I tested the USB-C version. It features the VideoMic Me-C, tripod, phone grip, LED light and accessories. This is my review article, including an outdoor audio/video test recording.

What comes in the USB C Edition kit:

Review: RØDE Vlogger Kit-USB C Edition


This post is by Allan Tépper from ProVideo Coalition


Click here to view on the original site: Original Post




I am delighted to inform you that our Australian friends at RØDE Microphones has officially embraced Android users (while continuing to embrace iOS users) with the announcement of three additions to its market-leading range of creative solutions for vloggers. I tested the USB-C version. It features the VideoMic Me-C, tripod, phone grip, LED light and accessories. This is my review article, including an outdoor audio/video test recording.

What comes in the USB C Edition kit:

Review: RØDE Vlogger Kit-USB C Edition


This post is by Allan Tépper from ProVideo Coalition


Click here to view on the original site: Original Post




I am delighted to inform you that our Australian friends at RØDE Microphones has officially embraced Android users (while continuing to embrace iOS users) with the announcement of three additions to its market-leading range of creative solutions for vloggers. I tested the USB-C version. It features the VideoMic Me-C, tripod, phone grip, LED light and accessories. This is my review article, including an outdoor audio/video test recording.

What comes in the USB C Edition kit:

New Irix 45mm f/1.4 lens for Fujifilm GFX cameras


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




New Irix 45mm f/1.4 lens for Fujifilm GFX camerasThere is a new Fujifilm camera coming soon, the GFX 100s, but Irix is here first, with a new lens for medium format Fujifilm GFX cameras, a wide-angle with a native mount, the Irix 45mm f/1.4 lens.

Designed for Fujifilm GFX medium format cameras, the new lens from Irix is a clear invitation to explore the magic of the format. Digital medium format is a nod to traditional analog photography, where medium format had – and still has – a special place and is a return to the roots that defined the vividness and quality of the image captured

New Irix 45mm f/1.4 lens for Fujifilm GFX cameras
New Irix 45mm f/1.4 lens for Fujifilm GFX cameras
New Irix 45mm f/1.4 lens for Fujifilm GFX cameras

Continue reading “New Irix 45mm f/1.4 lens for Fujifilm GFX cameras”

New Irix 45mm f/1.4 lens for Fujifilm GFX cameras


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




New Irix 45mm f/1.4 lens for Fujifilm GFX camerasThere is a new Fujifilm camera coming soon, the GFX 100s, but Irix is here first, with a new lens for medium format Fujifilm GFX cameras, a wide-angle with a native mount, the Irix 45mm f/1.4 lens.

Designed for Fujifilm GFX medium format cameras, the new lens from Irix is a clear invitation to explore the magic of the format. Digital medium format is a nod to traditional analog photography, where medium format had – and still has – a special place and is a return to the roots that defined the vividness and quality of the image captured

New Irix 45mm f/1.4 lens for Fujifilm GFX cameras
New Irix 45mm f/1.4 lens for Fujifilm GFX cameras
New Irix 45mm f/1.4 lens for Fujifilm GFX cameras

Continue reading “New Irix 45mm f/1.4 lens for Fujifilm GFX cameras”

New Irix 45mm f/1.4 lens for Fujifilm GFX cameras


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




New Irix 45mm f/1.4 lens for Fujifilm GFX camerasThere is a new Fujifilm camera coming soon, the GFX 100s, but Irix is here first, with a new lens for medium format Fujifilm GFX cameras, a wide-angle with a native mount, the Irix 45mm f/1.4 lens.

Designed for Fujifilm GFX medium format cameras, the new lens from Irix is a clear invitation to explore the magic of the format. Digital medium format is a nod to traditional analog photography, where medium format had – and still has – a special place and is a return to the roots that defined the vividness and quality of the image captured

New Irix 45mm f/1.4 lens for Fujifilm GFX cameras
New Irix 45mm f/1.4 lens for Fujifilm GFX cameras
New Irix 45mm f/1.4 lens for Fujifilm GFX cameras

Continue reading “New Irix 45mm f/1.4 lens for Fujifilm GFX cameras”

Noclip: documenting video games like nobody did before


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




Noclip: documenting video games like nobody did beforeNoclip is more than just another YouTube channel. It’s a video producer with a core team of two, making  documentaries about video games that are FREE to watch on YouTube and 100% crowdfunded.

The name Noclip was completely new to me when I saw a documentary about the production of a video game – or maybe I should say flying simulation –, Microsoft’s recent Flight Simulator, which signals the return of the company to an adventure and title the company first released in 1982 – yes, 39 years ago – and them left orphan in 2009. The video is different

Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before

Continue reading “Noclip: documenting video games like nobody did before”

Noclip: documenting video games like nobody did before


This post is by Jose Antunes from ProVideo Coalition


Click here to view on the original site: Original Post




Noclip: documenting video games like nobody did beforeNoclip is more than just another YouTube channel. It’s a video producer with a core team of two, making  documentaries about video games that are FREE to watch on YouTube and 100% crowdfunded.

The name Noclip was completely new to me when I saw a documentary about the production of a video game – or maybe I should say flying simulation –, Microsoft’s recent Flight Simulator, which signals the return of the company to an adventure and title the company first released in 1982 – yes, 39 years ago – and them left orphan in 2009. The video is different

Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before
Noclip: documenting video games like nobody did before

Continue reading “Noclip: documenting video games like nobody did before”

Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions


This post is by Brian Hallett from ProVideo Coalition


Click here to view on the original site: Original Post




Blackmagic Design announced that Laurel Canyon Live is building a state of the art live streaming venue with Blackmagic Design gear, including Ultimatte 12 compositing processors, ATEM Constellation 8K live production switcher, URSA Mini Pro 4.6K G2 digital cameras, and more. Laurel Canyon Live will serve as a space for artists, content creators, media and entertainment companies, and more to stream performances and events against dynamic virtual backgrounds in real-time.ATEM Constellation 8K

Laurel Canyon Live is located in Laurel Canyon, CA. Its President, John Ross, recently added large and small performance spaces powered by Blackmagic Design to his existing post-production studio,

ATEM Constellation 8K
ATEM Constellation 8K
ATEM Constellation 8K

Continue reading “Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions”

Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions


This post is by Brian Hallett from ProVideo Coalition


Click here to view on the original site: Original Post




Blackmagic Design announced that Laurel Canyon Live is building a state of the art live streaming venue with Blackmagic Design gear, including Ultimatte 12 compositing processors, ATEM Constellation 8K live production switcher, URSA Mini Pro 4.6K G2 digital cameras, and more. Laurel Canyon Live will serve as a space for artists, content creators, media and entertainment companies, and more to stream performances and events against dynamic virtual backgrounds in real-time.ATEM Constellation 8K

Laurel Canyon Live is located in Laurel Canyon, CA. Its President, John Ross, recently added large and small performance spaces powered by Blackmagic Design to his existing post-production studio,

ATEM Constellation 8K
ATEM Constellation 8K
ATEM Constellation 8K

Continue reading “Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions”

Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions


This post is by Brian Hallett from ProVideo Coalition


Click here to view on the original site: Original Post




Blackmagic Design announced that Laurel Canyon Live is building a state of the art live streaming venue with Blackmagic Design gear, including Ultimatte 12 compositing processors, ATEM Constellation 8K live production switcher, URSA Mini Pro 4.6K G2 digital cameras, and more. Laurel Canyon Live will serve as a space for artists, content creators, media and entertainment companies, and more to stream performances and events against dynamic virtual backgrounds in real-time.ATEM Constellation 8K

Laurel Canyon Live is located in Laurel Canyon, CA. Its President, John Ross, recently added large and small performance spaces powered by Blackmagic Design to his existing post-production studio,

ATEM Constellation 8K
ATEM Constellation 8K
ATEM Constellation 8K

Continue reading “Laurel Canyon Live Uses Ultimatte and ATEM Constellation 8K for Live Streaming Virtual Productions”

Let’s Edit with Media Composer – Lesson 8 – The “New” Interface


This post is by Kevin P. McAuliffe from ProVideo Coalition


Click here to view on the original site: Original Post




Hey Everyone,

It’s time, once again, for another “Let’s Edit” tutorial, and in this lesson, we’re talking about something that Media Composer editors hate for absolutely no valid reason at all, and I’m talking about the “New” interface.  Now, we call it “New”, even though it’s been around for almost a year now, and I’ll be honest.  I started working with the new interface when it was in Beta and I, yes, hated it (no surprise there).  However, after playing with it for a week straight, I was hooked, and it drives me crazy when I have Continue reading “Let’s Edit with Media Composer – Lesson 8 – The “New” Interface”

Let’s Edit with Media Composer – Lesson 8 – The “New” Interface


This post is by Kevin P. McAuliffe from ProVideo Coalition


Click here to view on the original site: Original Post




Hey Everyone,

It’s time, once again, for another “Let’s Edit” tutorial, and in this lesson, we’re talking about something that Media Composer editors hate for absolutely no valid reason at all, and I’m talking about the “New” interface.  Now, we call it “New”, even though it’s been around for almost a year now, and I’ll be honest.  I started working with the new interface when it was in Beta and I, yes, hated it (no surprise there).  However, after playing with it for a week straight, I was hooked, and it drives me crazy when I have Continue reading “Let’s Edit with Media Composer – Lesson 8 – The “New” Interface”

Let’s Edit with Media Composer – Lesson 8 – The “New” Interface


This post is by Kevin P. McAuliffe from ProVideo Coalition


Click here to view on the original site: Original Post




Hey Everyone,

It’s time, once again, for another “Let’s Edit” tutorial, and in this lesson, we’re talking about something that Media Composer editors hate for absolutely no valid reason at all, and I’m talking about the “New” interface.  Now, we call it “New”, even though it’s been around for almost a year now, and I’ll be honest.  I started working with the new interface when it was in Beta and I, yes, hated it (no surprise there).  However, after playing with it for a week straight, I was hooked, and it drives me crazy when I have Continue reading “Let’s Edit with Media Composer – Lesson 8 – The “New” Interface”

Let’s Edit with Media Composer – Lesson 8 – The “New” Interface


This post is by Kevin P. McAuliffe from ProVideo Coalition


Click here to view on the original site: Original Post




Hey Everyone,

It’s time, once again, for another “Let’s Edit” tutorial, and in this lesson, we’re talking about something that Media Composer editors hate for absolutely no valid reason at all, and I’m talking about the “New” interface.  Now, we call it “New”, even though it’s been around for almost a year now, and I’ll be honest.  I started working with the new interface when it was in Beta and I, yes, hated it (no surprise there).  However, after playing with it for a week straight, I was hooked, and it drives me crazy when I have Continue reading “Let’s Edit with Media Composer – Lesson 8 – The “New” Interface”