ARRI Master Classes Available for Free on MZed, Certified Courses are 25% Off


This post is by Jakub Han from News – cinema5D


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ARRI offers 25% discount (for a limited time only) on their certified online courses on MZed – Certified Online Training for Large-Format Camera System, and Certified Online Training for Camera Systems. ARRI Master Classes on MZed – High Dynamic Range with Karl Walter Lindenlaub ASC, and Large Format Cinematography with James Laxton ASC – are available for free.

ARRI offers special deals on online education. Source: ARRI

Many companies are now offering free or discounted stuff online to help filmmakers better get through these tough times of COVID-19 quarantine without jobs. One of the companies offering free content Continue reading “ARRI Master Classes Available for Free on MZed, Certified Courses are 25% Off”

A Beginner’s Guide to Shooting Coverage for a Film Project


This post is by Rubidium Wu from The Beat: A Blog by PremiumBeat


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Coverage is a deceptively simple term that encompasses a wide range of factors — how a film is staged, blocked, lit, and performances are captured.

Full-Frame Zoom Lenses for Full-Frame Cameras


This post is by Tanner Shinnick from The Beat: A Blog by PremiumBeat


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Let’s take a look at some of the best full-frame zoom lens options on the market, for a variety of budgets.

5 Affordable Streaming-Ready Cameras


This post is by Jourdan Aldredge from The Beat: A Blog by PremiumBeat


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Streaming a conference or live production? Check out these practical and affordable camera options for your next live streaming video event.

Should Filmmakers Invest in a 120fps RAW Sigma fp?


This post is by Jourdan Aldredge from The Beat: A Blog by PremiumBeat


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Here’s a look into the update announcement for the much-anticipated Sigma fp 2.0, and what it could mean for your filmmaking.

Video Tutorial: How to Create Cinematic One-Light Setups


This post is by Anthony Najera from The Beat: A Blog by PremiumBeat


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Don’t let the limitations and constraints of the filmmaking process deter you. You can still get a great-looking, cinematic image with a single light.

Fujifilm Announces X-T4 with Much-Requested Updates


This post is by Jourdan Aldredge from The Beat: A Blog by PremiumBeat


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The Fujifilm X-T4 keeps all the best features of the X-T3 while making updates that users have been clamoring for, like In-Body Image Stabilization.

The Exposure Fundamentals Behind Great Filmmaking


This post is by Chuck Crosswhite from The Beat: A Blog by PremiumBeat


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From aperture to shutter speed to frame rate — in this tutorial, we’ll look at the basic building blocks of great filmmaking.

Are LUT’s Killing Creativity And Eroding Skills?


This post is by alisterchapman from XDCAM-USER.COM


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I see this all the time “which LUT should I use to get this look” or “I like that, which LUT did you use”. Don’t get me wrong, I use LUT’s and they are a very useful tool, but the now almost default reversion to adding a LUT to log and raw material is killing creativity.

In my distant past I worked in and helped run  a very well known post production facilities company. There were two high end editing and grading suites and many of the clients came to us because we could work to the highest standards of Continue reading “Are LUT’s Killing Creativity And Eroding Skills?”

Inside the Look of “Joker”


This post is by Clayton Asbury from News – cinema5D


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At this year’s Academy Awards, Todd Phillips’s Joker took home Oscars for Best Actor for Joaquin Phoenix and Best Original Score for Hildur Guðnadóttir. It received the most nominations (11) ever for a comic-based movie.

Shot by often collaborator, cinematographer Lawrence Sher (Hangover, Garden State). Hurlbut Academy has released an analysis video talking about the look and cinematography of Joker. This is the first in their series of “the Look of” videos on recent films.

Joker – the Movie

If you haven’t seen it, Joker is available online and nominated for 11 Academy Awards, including Best Picture

Joker the Movie
Vintage_NYC
Arri_Joker
Joker_Mirror

Continue reading “Inside the Look of “Joker””

7 of the Most Inventive Uses of Green Screen in Movies


This post is by Logan Baker from The Beat: A Blog by PremiumBeat


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There’s no shortage of movies that use visual effects, but only a few have been totally cutting-edge and crazy when it comes to green screen.

Temporal Aliasing – Beware!


This post is by alisterchapman from XDCAM-USER.COM


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As camera resolutions increase and the amount of detail and texture that we can record increases we need to be mindful more and more of temporal aliasing. 

Temporal aliasing occurs when the differences between the frames in a video sequence create undesirable sequences of patterns that move from one frame to the next, often appearing to travel in the opposite direction to any camera movement. The classic example of this is the wagon wheels going backwards effect often seen in old cowboy movies. The cameras shutter captures the spokes of the wheels in a different position in each frame Continue reading “Temporal Aliasing – Beware!”

A Brief Look At The New Canon C500 Mark II Full-Frame Camera


This post is by Brian Hallett from ProVideo Coalition


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Thin slicing is a psychology term used by Malcolm Gladwell in his book “Blink.” The premise is you have garnered so much experience you can look at something and all those years of hard work all those years of finding what works and what fails bubbles to the surface, giving you a superhuman capability to see something. I saw the Canon C500 Mark II. I saw what it could do in the hands of a cinematographer. I saw it. Canon has made a very good camera.

What I Shot in 5 Days

I shot as much as I could

Canon C500 Mark II
Canon C500 Mark II
Canon C500 Mark II
Canon C500 Mark II
Canon C500 Mark II
Canon C500 Mark II

Continue reading “A Brief Look At The New Canon C500 Mark II Full-Frame Camera”

How We Judge Exposure Looking At an Image And The Importance Of ViewFinder Contrast.


This post is by alisterchapman from XDCAM-USER.COM


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This came out of a discussion about viewfinder brightness where the compliant was that the viewfinder on the FX9 was too bright when compared side by side with another monitor. It got me into really thinking about how we judge exposure when purely looking at a monitor or viewfinder image.

To start with I think it’s important to thing understand a couple of things:

1: Our perception of how bright a light source is depends on the ambient light levels. A candle in a dark room looks really bright, but outside on a sunny day it is not perceived as Continue reading “How We Judge Exposure Looking At an Image And The Importance Of ViewFinder Contrast.”

The Hallmark of Comedy: Making Your Talent Pop with High-Key Lighting


This post is by Rubidium Wu from The Beat: A Blog by PremiumBeat


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In this video tutorial, we take a look at high-key lighting — what exactly it is, when should you use it, and how you set it up.

Wedding Photography vs. Videography: Pros and Cons


This post is by Dan Kumieko from PetaPixel


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So you’re about to shoot someone’s wedding. That’s amazing — it’s an incredible opportunity to be part of one of the most intimate and beautiful experiences in human love. But between photography and videography, which medium gets the job done?

I’m the co-owner of CineStory Films, a Los Angeles-based wedding video and photo service, and we specialize in both mediums. We have professionals who opt for video and others who choose photo to get the best results. Here are the pros and cons of both photography and videography.

Comfort and Experience

While it’s important to keep your clients in

Continue reading “Wedding Photography vs. Videography: Pros and Cons”

Sundance 2020: Spotlight on Sophia Olsson, DP of “Charter”


This post is by Rin Ehlers Sheldon from News – cinema5D


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Charter is a masterfully made film from Swedish director/DP duo Amanda Kernell and Sophia Olsson.  This film has the grip of a chase movie, the psychological tension of great suspense, the urgency of a fugitive film…and yet still manages the heart of a great family drama.  This movie puts the audience inside a mother’s spontaneous abduction of her children during a terrible custody battle. Read on to learn more about the film’s cinematographer Sophia Olsson and how she achieved its bold look in some truly challenging circumstances.

Name: Sophia Olsson
Film: 
Charter (dir. Amanda Kernell)
Category: World Cinema Dramatic 
Camera

Continue reading “Sundance 2020: Spotlight on Sophia Olsson, DP of “Charter””

Sundance 2020: Spotlight on Katelin Arizmendi, DP of “Charm City Kings”


This post is by Rin Ehlers Sheldon from News – cinema5D


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Charm City Kings,  directed by Angel Manuel Soto, took home the U.S Dramatic Special Jury Award for Ensemble Cast this past Saturday at the 2020 Sundance Film Festival. From Executive Producers Jada Pinkett Smith, Will Smith, and James Lassiter, comes the story of a young man named Mouse, who hopes to take his place in the Midnight Clique, a notorious group of  dirt-bike riders in Baltimore, among whom who his late brother had ridden to glory and tragedy. To learn how the incredible performances of this award-winning cast went from set to screen, read our interview with the film’s

Continue reading “Sundance 2020: Spotlight on Katelin Arizmendi, DP of “Charm City Kings””

Recreating the Look of Oscar-Nominated Film “The Lighthouse”


This post is by Chuck Crosswhite from The Beat: A Blog by PremiumBeat


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With the Academy Awards approaching, we decided to honor the Oscar-nominated film The Lighthouse by recreating a scene from the movie.

Cooke Debuting Anamorphic/i FF+ 85mm Macro at BSC Expo


This post is by Duclos Lenses from The Cine Lens


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Exciting news! Cooke Optics will be unveiling the latest Anamorphic/i Full Frame 85mm Macro lens at BSC Expo in just a couple of weeks. During BSC Expo, Cooke Optics will reveal the Anamorphic/i Full Frame 85mm Macro with both Standard coating and SF (Special Flair) coating. Cooke’s Anamorphic/i FF line of lenses includes the following […]